Trevor Vickers

Perth, Western Australia, Australia

  • Untitled

    acrylic on canvas 101 x 101 cm 40 x 40 in 2013

  • Untitled

    acrylic on canvas 101 x 101 cm 40 x 40 in 2013

  • Untitled

    acrylic on canvas 101 x 101 cm 40 x 40 in 2013

  • Untitled

    acrylic on canvas 101 x 101 cm 40 x 40 in 2013

  • Stratton B V

    acrylic on canvas 121.5 x 152.5 cm 48 x 60 in 2012

  • Untitled

    acrylic on canvas 121 x 152 cm 47.5 x 60 in 2012

  • Untitled

    acrylic on canvas 122 x 136.5 cm 48 x 53.5 in 2011

  • Untitled

    acrylic on canvas 111 x 121.5 cm 43.5 x 48 in 2009

  • De Lacy Series IX

    acrylic on canvas 76.5 x 101.5 cm 30 x 40 in 2008

  • De Lacy VIII

    acrylic on canvas 122 x 152.5 cm 48 x 60 in 2008

  • Untitled

    acrylic on canvas 75.5 x 91 cm 29.5 x 36 in 2006

  • Untitled

    oil on canvas 61 x 61 cm 24 x 24 in 2003

  • Untitled

    oil on canvas 55 x 61 cm 21.5 x 24 in 2003

  • Untitled

    oil on canvas 83.5 x 101 cm 33 x 40 in 2002

  • Untitled

    acrylic on canvas 137 x 167 cm 54 x 66 in 2001

  • Minilya Suite No. 3

    silkscreen (edition of 45) 34 x 34 cm 13.5 x 13.5 in 2000

  • Minilya Suite No. 1

    silkscreen (edition of 45) 34 x 38 cm 13.5 x 15 in 2000

  • Untitled

    acrylic on shaped canvas 76.5 x 76.5 cm 30 x 30 in 1979-80

  • Untitled

    acrylic on shaped canvas 76.5 x 107 cm 30 x 42 in 1979

  • Study for Central Division

    acrylic on canvas 46 x 46 cm 18 x 18 in 1977

  • Study (Yellow/Gray)

    acrylic on canvas 51 x 58 cm 20 x 23 in 1976

  • Untitled

    acrylic on canvas 75 x 80 cm 29.5 x 31.5 in 1975

  • Untitled

    acrylic on shaped canvas 244 x 367 cm 96 x 144.5 in 1968

I use geometric forms in my paintings because we automatically start to “read” the mathematical or non-literal visual possibilities. This creates a two-way action between the painting and the viewer, whose individual life experience combined with the artist’s production set off a sort of visual array.

It is in this two-way action between the painting and the observer that we realize the painting changing is a sort of agreement between the artist, whose production triggered the visual possibilities, and the attention of the viewer, able to take pleasure in the activity of one’s own mind.

contact & information

more information about the artist
www.trevorvickers.com 

email the artist
gallery@charlesnodrumgallery.com.au 

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