I use geometric forms in my paintings because we automatically start to “read” the mathematical or non-literal visual possibilities. This creates a two-way action between the painting and the viewer, whose individual life experience combined with the artist’s production set off a sort of visual array.
It is in this two-way action between the painting and the observer that we realize the painting changing is a sort of agreement between the artist, whose production triggered the visual possibilities, and the attention of the viewer, able to take pleasure in the activity of one’s own mind.
contact & information
more information about the artist
email the artist