Ruth Hiller

New York, New York, USA

  • yellow 106

    acrylic on shaped plexiglass 76 x 122 cm 30 x 48 in 2016

  • bling

    acrylic and glitter on shaped plexiglass 76 x 122 cm 30 x 48 in 2016

  • viaduct

    oil and acrylic on shaped plexiglass panels 106.5 x 61 cm 42 x 24 in 2016

  • the sweet spot

    mixed media on shaped panels 81.5 x 106.5 cm 32 x 42 in overall 2016

  • supervenient

    acrylic on shaped plexiglass panel 35.5 x 61 cm 14 x 24 in 2016

  • environment

    acrylic on shaped plexiglass panel 35.5 x 61 cm 14 x 24 in 2016

  • concoct

    acrylic on shaped plexiglass panel 35.5 x 61 cm 14 x 24 in 2015

  • divisible by

    acrylic on shaped plexiglass panels 76 x 71 cm 30 x 28 in 2015

  • measured angle 2.0

    acrylic on shaped plexiglass panels 61 x 122 cm 24 x 48 in 2015

  • skew 1.14

    pigmented beeswax on shaped wood panels 76 x 71 x 5 cm 30 x 28 x 2 in 2015

  • measured angle

    acrylic on shaped wood panels 81.5 x 30.5 cm 32 x 12 in 2014

  • empty set 6.2.6

    pigmented beeswax on shaped wood panels 56 x 56 x 5 cm 22 x 22 x 2 in 2014

  • intersection 1.14

    pigmented beeswax on shaped wood panels 61 x 106.5 cm 24 x 42 in 2014

  • rule of thirds

    acrylic on shaped plexiglass panels 61 x 30.5 cm 24 x 12 in 2014

  • union

    pigmented beeswax on shaped wood panels 76 x 61 x 5 cm 30 x 24 x 2 in 2013

  • image of

    pigmented beeswax on shaped wood panel 61 x 61 x 5 cm 24 x 24 x 2 in 2012

  • %

    pigmented beeswax on shaped wood panel 91.5 x 38 x 7.5 cm 36 x 15 x 3 in 2011

  • specimen 29

    pigmented beeswax on panel 30.5 x 30.5 cm 12 x 12 in 2009

  • WOW

    archival digital print 101.5 x 101.5 cm 40 x 40 in 2004

  • biophilia too

    oil on panel 91.5 x 61 cm 36 x 24 in 2002

  • biophilia

    oil on panel 91.5 x 61 cm 36 x 24 in 2002

My work reflects my fascination with the parallels and intersections of geometry and nature. As I ponder the cosmos or explore deep within a living organism, I find the visual similarities astounding. The visual language I use to convey the most meaning through the simplest of forms culminates in my rounded shapes on square panels, and my soft shaped panels with hard-edge forms.

Living in nature as well as in an urban environment have compelled me to create work that appears plastic, tactile and machine-made with hints of my surroundings.

 

 

contact & information

more information about the artist
www.ruthhiller.com

email Ruth Hiller
ruth@ruthhiller.com

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