Paul Fabozzi

New York, New York, USA

  • Curved Locator #6 (MC, Rio)

    graphite on paper 104 x 71 cm 41 x 28 in 2015

  • Curved Locator #4 (OS, Berlin)

    graphite on paper 104 x 71 cm 41 x 28 in 2015

  • Curved Locator #3 (BM, London)

    graphite on paper 104 x 71 cm 41 x 28 in 2015

  • Ivo #2

    oil on canvas 122 x 81.5 cm 48 x 32 in 2015

  • Corviale #1, x3,

    oil on canvas 122 x 183 cm 48 x 72 in 2014

  • Corviale #3

    oil on canvas 122 x 91 cm 48 x 36 in 2013

  • Corviale #2

    oil on canvas 122 x 91 cm 48 x 36 in 2013

  • Corviale #1

    oil on canvas 122 x 91 cm 48 x 36 in 2013

  • Queensboro Bridge #2

    colored pencil on Mylar mounted on gouache on paper 76 x 76 cm 30 x 30 in 2012

  • Corviale #2

    colored pencil and ink on Mylar mounted on gouache on paper 76 x 56 cm 30 x 22 in 2012

  • Corviale #1 x3

    colored pencil and ink on Mylar mounted on gouache on paper 80 x 119 cm 31.5 x 47 in 2012

  • Sant'Ivo della Sapienza #1 x4

    colored pencil on Mylar mounted on gouache on paper 76 x 239 cm 30 x 94 in 2011

  • Corviale #1c (L)

    colored pencil on Mylar mounted on archival pigment print 56 x 43 cm 22 x 17 in 2011

  • Spectral Variant #3b 4x12c

    graphite on Mylar 107 x 234 cm 42 x 92 in 2009

  • Spectral Variant #1.12c

    gouache and graphite on paper 80 x 119 cm 31.5 x 47 in 2008

  • Spectral Variant #1a.4c

    gouache and pencil on paper 76 x 56 cm 30 x 22 in 2008

  • Fifth Avenue #1

    oil on canvas 152.5 x 122 cm 60 x 48 in 2006

  • Chelsea #1

    oil on canvas 152.5 x 122 cm 60 x 48 in 2006

  • Midtown #1

    oil on canvas 152.5 x 122 cm 60 x 48 in 2005

  • Fifth Avenue #1

    gouache and pencil on paper 117 x 86.5 cm 46 x 34 in 2004

How can experience, bound by time, be located? How can image-making become a means for layering physical, emotional, and mental conceptions of space? By visually dissecting and translating photographic and data-driven artifacts of my experiences of specific areas and sites in a number of international cities (including Rome, New York, and Istanbul), I am attempting, through the creation of images, to dissolve the (linguistically determined) dichotomies between external and internal, organic and geometric, presentness and memory, thought and feeling.

contact & information

more information about the artist
www.paulfabozzi.com 

email Paul Fabozzi
fabozzip@gmail.com

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